
Then there was the competition from several other sci-fi/fantasy shows featuring tough female leads either on the air or coming soon, like "Buffy: The Vampire Slayer," "La Femme Nikita," and Fox's own "Firefly" (which also got quickly canceled). The second season premiered on September 28 of that year, and the dystopian, semi-apocalyptic story just might have been too much for some viewers.

On top of budget issues and behind-the-scenes drama, the appetite for a show like "Dark Angel" may have been impacted by the real-world terrorist attacks in the United States on September 11, 2001. For the stars, maybe the cancellation was a bit of a relief.
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Weatherly hasn't exactly cultivated a good reputation for how he treats female co-stars since then, so there's really no telling what filming the series was like. The relationship didn't end well, with Alba getting a tattoo to celebrate her independence after their break-up. Alba and Weatherly started dating during filming, despite a 12-year age gap. There were some problems on set, too, which might have contributed to some of Alba and Ackles' bickering. Transhumanism is a huge part of cyberpunk, so that bit of transgender representation was incredible.Ĭritics were also hot and cold on the series, with some praising it for its fierce feminine hero while others were frustrated by the show's pulpy silliness. The series also featured some pretty progressive characters and plotlines for the time period, featuring a lesbian main character, Original Cindy (Valarie Rae Miller) and the first television episode ever featuring a trans actor (Jessica Crockett) playing a trans character. They can't touch, which turns into all kinds of sexual tension and angst. Their romantic entanglement becomes more complicated in season 2, after Max has been recaptured by Manticore and they inject her with a virus specifically designed to kill Logan, who has revealed them to the world. The two begin developing romantic feelings for each other, which turns into a "will they, won't they" for the ages. He ends up being injured and confined to a wheelchair after the mission goes wrong, and Max decides to join him out of guilt. Logan is an underground journalist who uses his platform to fight corruption, and he tries to recruit Max to help him, but she declines. In that time she's managed to make something of a life for herself: working as a bike courier, making friends with her co-workers, and eventually meeting rogue reporter Logan Cale (Michael Weatherly). But central throughout is the filmmaker's own questioning about the nature of photography and how it is possible to create cinema using only found images and without movement.Max has been on the run from Manticore, the company that engineered her, since she was nine years old (the pulse happened shortly after she escaped). The woodblock prints of Hokusai are considered, but also paintings by Van Gogh, philosophical views stemming from Asian philosophy, mankind's connection to landscape, Mount Fuji's religious significance, recent Japanese history. Together with the two protagonists the viewer climbs Mount Fuji across geographical, temporal and cultural divides. As the narrative unfolds unexpected and surprising paths are explored. This art film project is in essence a film made entirely with stills a cinematic experiment balancing delicately between documentary and fiction. These thousands of images enshroud the mountain like a cloud, revealing and hiding it at the same time.


This work has for me to do with visibility and invisibility, with distance and proximity. Many images are of undeniably breathtaking beauty - ranging from early examples of nineteenth century Japanese studio photography to military propaganda photos from the thirties, from victorious American press images to amateur snapshots across several decades. 4,500 exceptional and diverse photographs from the past 150 years form the basis for this film. The photographs we discover together with Mary. His letters, in which he describes climbing Mount Fuji, trigger in her mind a train of thoughts and reflections. Mary receives a parcel containing letters and a collection of photographs from Hiroshi. We are lead through the film by the voices of two fictitious characters - Mary, an English woman and her deceased Japanese partner, Hiroshi. This is Mount Fuji, a volcano with many faces and of immeasurable cultural and symbolic significance. Through a gray blanket of cloud the contours of a mountain can be barely discerned.
